Despite its rather obtuse title, the deliciously entertaining Clown in a Cornfield proves there’s still a world of teen slashers with bite, style, and something to say. Directed and co-written by Eli Craig, returning to horror after his cult treasure Tucker & Dale vs. Evil, this slick, brutal, and surprisingly subversive adaptation of Adam Cesare's novel of the same name walks a tricky tonal tightrope and rarely falters. It plays the hits that fans of '80s and '90s slashers crave, but it also lets a little modern-day bitterness bleed...

Let’s be real: no one expected Thunderbolts* to go this hard. Conceived as the MCU’s answer to The Suicide Squad or a replacement for the Guardians of the Galaxy, the film always risked becoming Marvel’s dumping ground for its least resolved B-players, a franchise palate-cleanser no one asked for. But under the direction of Thunderbolts* and a committed ensemble that works overtime to tether the bombast to something bruised and recognisably human, Thunderbolts* turns out to be something else entirely: a surprisingly moving, often funny, and at times...

Writer/director Ryan Coogler has never been a director to play it safe, but Sinners is undoubtedly his most audacious and ambitious swing yet—and one that connects with a mighty roar. Melding historical specificity with genre insanity, Southern folklore with blood-drenched pulp, and the visceral rhythm of Black music culture with supernatural horror, Sinners is the rare kind of film that doesn’t just entertain—it howls. It barrels into view with the swagger of a juke joint jam session and the dread of a sermon warning of hellfire, never once...

There’s a certain kind of film that doesn’t just show its heart but wears it so openly that you can feel the pulse between the frames. Tinā, the hugely impressive directorial debut of writer/director Miki Magasiva, is one such film. It is a story of loss, faith, music, and cultural identity that lingers not because it reinvents the coming-of-age or underdog formula, but because of how fiercely it believes in what it’s doing. Messy in moments but quietly profound in others, Tinā is an earnest, deeply moving, and emotionally...

In a year already flush with high-concept genre films, Warfare lands with a kind of blistering clarity that is difficult to ignore. Directed by former Navy SEAL Ray Mendoza, in collaboration with Alex Garland, the film is a nerve-fraying, pulse-rattling war drama that deliberately forgoes conventional storytelling for an immersive and, at times, punishingly authentic battlefield experience. It is an experiment in form and endurance, one that asks the viewer not to follow a story so much as survive it. To watch Warfare is to feel ensnared in...

The high-concept techno-thriller Drop is a hugely entertaining little film that thrives on tension, taps into modern anxieties with unnerving precision, and banks much of its emotional weight on a magnetic central performance from Meghann Fahy. It’s a sleek, often pulpy ride, and while it doesn’t always land its punches with grace, it knows how to keep its audience clutching the table—be it with sweaty palms or out of secondhand awkwardness. Balancing dread with slick visual flair and just enough character intrigue to stay invested, Drop falls somewhere between...

Death of a Unicorn is sadly one of those films that seems to promise more than it can deliver. On the surface, it's an enticing idea—a quirky, darkly comedic narrative involving a magical unicorn, strange visions, and an exploration of moral boundaries. The premise suggests a blend of satire, fantasy, and family drama that could’ve offered something unique, even genre-breaking. However, despite a few glimmers of potential, the film ultimately falls short, stumbling under the weight of an overcomplicated plot, uneven performances, and a tone that can't quite...

After three years of being the internet's favourite punching bag, Disney's live-action reimagining of Snow White is finally here. From the "controversy" of casting a Latina in the role of someone traditionally described as having “skin as white as snow" and the backlash surrounding its leading lady's "woke" criticism of the original animated film to the use of CGI characters instead of live actors for the Seven Dwarfs and the opposing political views of its two stars, this film has caused Disney marketing execs to pull their hair out...

With another spectacular line-up of nominees, picking the winners for this year's The Jam Awards has been a typically difficult task. Alas, decisions must be made, and, after much deliberation, the winners have been decided. So without further ado, let The 11th Annual Jam Awards commence! Best Music Moment And the nominees were: "Compress/Repress" in Challengers "Brand New Bitch" in Kinds of Kindness "Sick in the Head" in Kneecap "Pump It Up" in The Substance "Defying Gravity" in Wicked "Popular" in Wicked And the winner is...

Now in its 11th year, The Jam Awards are back to celebrate the best of cinema in 2024. Without further ado, here are the nominations for The 9th Annual Jam Awards! The winners of The Jam Awards will be announced on Monday, February 24 at 9am AEDT. Who will take out this year's categories? Stay tuned! Best Film And the nominees are: Anora Producers: Alex Coco, Samantha Quan, and Sean Baker The Brutalist Producers: Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, and Brady Corbet Conclave Producers: Tessa Ross, Juliette Howell, and Michael A. Jackman Dune: Part Two Producers:...

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