Reviews / 04.04.2024

From Annabelle to Texas Chainsaw Massacre and Insidious to The Exorcist, horror prequels are generally what occurs when studios run out of ideas for sequels and instead serve up an origin story no one really asked for. It's why one approaches something like The First Omen with immense trepidation and dreadfully low expectations. Colour me wrong. Standing as one of the first big surprises of 2024 and that rare kind of horror prequel that completely justifies its existence, this unsettling, atmospheric, and beautifully crafted demonic thriller is actually pretty damn good. Set...

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Reviews / 03.04.2024

Australian horror has experienced quite a renaissance in the last decade. From Talk to Me and The Babadook to You'll Never Find Me and Sissy (plus low-budget guilty pleasures like Wyrmwood and 100 Bloody Acres), Aussie filmmakers are consistently proving they can cook up terrors with the best of them. Tackling two well-worn sub-genres of horror that generally feel quite stale, brothers Colin Cairnes and Cameron Cairnes breathe new life into the tropes of demonic possession and found footage films with the terrifically unnerving and deliriously entertaining Late Night with the Devil. A simple yet...

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Reviews / 21.04.2023

While Sam Raimi's 1981 cult classic The Evil Dead may not have been the first horror film to feature the now infamous "cabin in the woods" trope, it popularised it to the point where its influence on the horror genre is immeasurable. Raimi's three Evil Dead films ingeniously mixed terror with humour to create a new style of horror we're still seeing replicated today. After a valiant effort to reboot the Evil Dead franchise in 2013 and possibly spurned by the success of the recent Scream refresh, it's time...

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Reviews / 26.08.2021

Way back in 1992, a horror film delivered a slasher killer whose motivations were far more interesting than just plain psychotic. After years of villains who maimed and murdered hapless victims for no reason, Bernard Rose's Candyman presented a racially charged film whose killer represented everything America would rather forget. This boogeyman's revenge was entirely justified and the film drew parallels between the past and present in ways the horror genre had rarely dared touch. Almost 30 years later, America may proudly declare its progress, yet it prefers to...

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Reviews / 01.02.2021

When a film is accompanied by a warning about its level of gore, you have a certain expectation something truly wicked is on the horizon, especially when it features in Sundance's infamous Midnight program. While co-writer/director Prano Bailey-Bond's Censor is a film that pays deep homage to the UK's wave of "video nasties" of the 1980s, it isn't quite nasty enough to truly call itself an example of the cult genre. Those seeking lashings of gore and violence may find this one a tad disappointing and that pre-screening...

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Reviews / 01.09.2020

From The Evil Dead to Cabin Fever, the idea of setting a horror film in a creepy cabin in the woods is nothing new. It's practically a sub-genre all of its own, particularly after Drew Goddard and Joss Whedon sharply skewered the conceit with the meta-aware genius that was 2011's Cabin in the Woods. By virtue of unfortunate timing, writer/director Amelia Moses' Bleed With Me stands as the third horror film of 2020 to take place within the claustrophobic confines of a spooky, isolated cabin. Thankfully, Moses delivers...

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Reviews / 28.08.2020

Nobody likes a trip to the hospital, especially during a crippling pandemic. It's a setting the horror movie genre has often tapped for all sorts of terrifying mayhem. However, it's rare to find a black comedy set within the walls of an infirmary, given the difficulties of making light of a place of such misery. A sardonically dark comedy full of bloody violence and twisted humour, 12 Hour Shift has all the makings of something wickedly fun. If only the humour landed as well as the gallons of...

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Reviews / 20.08.2020

One of the many joys of being a writer in the 21st century is unconsciously opening yourself up to the white-hot vitriol fired off by nasty keyboard warriors around the globe. Amongst the open forums of social media platforms like Twitter and Facebook, there will always be those looking to victimise, bully, and harass anyone with an opinion slightly different from their own. By daring to share your voice in the online world, we inherently accept hatred is all but a predestined certainty. The relative anonymity of the internet...

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Reviews / 09.08.2020

Can an idea be just as contagious as the deadly virus the world is currently suffering through? That's the startling question broached in writer/director Amy Seimetz's intoxicating and atmospheric horror She Dies Tomorrow that could be the most unexpectedly relevant film of 2020. By presenting a dazzling vision of a contagion of the mind, Seimetz has inadvertently tapped into the crippling anxiety many of us are feeling over what tomorrow will bring. If tomorrow brought your certain death, how would you react? That's precisely the follow-up question Seimetz ponders...

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Reviews / 07.08.2020

Back in 1999, The Blair Witch Project gave new life to the "found footage" genre of horror filmmaking and created a voyeuristic experience that was equal parts captivating and horrifying. In recent years, the genre has evolved into the "computer screen film," where the entire visual narrative is constructed within the digital devices of the film's characters. At a time when we are so reliant on video technology to remain connected with friends and family, it hardly surprising a horror film is here to make us terrified of...

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