Reviews / 19.07.2023

For over six decades, one plastic doll has endured against all odds. From controversies and parodies to the rise of feminism and the women's liberation movement, Barbara Millicent Roberts has survived it all. By constantly reinventing herself and evolving with the times, Barbie (or, more accurately, the gurus at Mattel Inc.) has always had a knack for finding new ways to tap into the cultural zeitgeist of each era. The time has finally arrived for her big screen debut. The result is one of the most spectacularly enjoyable...

Awards Season, Reviews / 20.01.2023

After delivering three films in a row that all garnered endless praise and awards season success, it's clear director Damien Chazelle has reached the point in his career where he's being given carte blanche to make whatever the hell he wants. And rightly so. But that freedom proves to be both a blessing and a curse with his latest film Babylon; an overstuffed, 3-hour-plus epic that's equally dazzling, dizzying, disgusting, and discombobulating. Whether Chazelle falls under the weight of his own excess and ambition will be up for you...

Reviews / 02.08.2021

If most films earned $746 million at the worldwide box office and walked away with an Academy Award, you'd likely call them a roaring success. Yet, you'd be hard-pressed to find many who consider anything about 2016's Suicide Squad particularly successful besides its introduction of the magnificence that is Margot Robbie's Harley Quinn. Whether it was the rumoured studio intervention of director David Ayer's vision or just poor execution all around, this muddled, hyper-coloured mess left a sour taste in the mouths of both fans and critics alike. As...

Reviews / 26.03.2021

Despite fairly middling reviews and heavy criticism from Beatrix Potter purists (UK film critic Mark Kermode famously remarked, "If you've read the books you will be appalled."), Peter Rabbit's astonishing $350 million worldwide gross in 2018 signalled a sequel was all but assured. Had it not been for that pesky global pandemic, we would have received the follow-up at this time last year. After several release date changes and a new staggered global rollout that sees the film released in Australia three months before the U.S., Peter Rabbit...

Awards Season, Reviews / 16.12.2019

Let's be honest. Fox News is probably the worst thing to ever happen to broadcast television. While it's always strayed far from its laughable "Fair and balanced" slogan, in the last three years, it's become little more than a farcical propaganda machine for the orange clown in the White House. It's a miracle the "news" network is even still standing, given the sexual harassment scandal it somehow withstood back in 2016. It's that very saga which provides the juicy fodder for director Jay Roach's bombastic and occasionally compelling Bombshell; a...

Reviews / 06.08.2019

With only eight films in his illustrious career, writer/director Quentin Tarantino has left an indelible mark on cinema in the last few decades. Love him or hate him, you cannot deny the filmmaker's unique style and vision. With  Once Upon a Time in Hollywood, his ninth (and potentially penultimate) film, Tarantino offers a deeply personal piece of cinema that plays like a glorious love letter to the Tinseltown of old. In perhaps his most compassionate and affectionate work to date, Tarantino meticulously recreates Hollywood of the late 1960s in...

Reviews / 23.01.2019

In an awards season dominated by powerful female performances, the chance to see two fierce Queens go head-to-head sounds like a tantalising opportunity. In director Josie Rourke's debut film Mary Queen of Scots, the epic showdown promised within the film's somewhat misleading advertising never quite materialises. In its place is a revisionist feminist tale fraught with pacing issues that takes a tad too many liberties with history for the sake of spicing up its narrative, leaving us with a decidedly uneven piece of cinema. Saved by the performances of...

Opinion, Reviews / 03.08.2016

After the swing-and-miss that was Batman v Superman: Dawn of Justice (or at least the theatrical version), DC takes another shot at stealing Marvel's cinematic superhero crown with their hyper-coloured and hyper-charged extravaganza, Suicide Squad. Thankfully this time, they've managed to strike back with a flawed but entertaining piece of cinema. Much like Marvel's own "bad guys done good", the Guardians of the Galaxy, DC faces the similarly daunting task of introducing a whole host of new characters to a cinema audience unfamiliar with comic-book lore. And not just introducing...

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