Every year, we film critics hope to find those rare movies that deservedly earn the title of "masterpiece." It's a term many seem to throw around quite liberally these days, but it's a word this particularly film critic has always reserved for the absolute cream of the crop. In 2020, it's a pleasure to bestow this special title to writer/director Lee Isaac Chung's Minari; a film that completely took my breath away, leaving it quite difficult to surmise the right words to describe the beauty of Chung's treasure. Every...