In a case of unfortunate timing, Robin Wright's directorial debut feature, Land, arrives at a time when another film of a similar nature has been eating up awards season and generating tremendous Oscar buzz. Both feature women-of-a-certain-age essentially turning their back on civilisation. Both are running from their grief after a terrible loss. And both feature spectacular cinematography that showcases the gorgeousness of the wilderness. By virtue of unavoidable comparison, Land can't hold a candle to something like Chloé Zhao's contemplative masterpiece Nomadland. A film that feels painfully familiar...