Picture this: a trio of wives find themselves in a bind after their mobster husbands leave them in the lurch, forcing them to take over the nefarious criminal activities to pay the bills. You don't have to picture it because we already saw this narrative in 2018 with Steve McQueen's shamefully Oscar-ignored Widows. Yet, less than a year later, here we are to do it all again with The Kitchen; a film which suffers terribly by unfortunate comparison to McQueen's masterwork. Lacking the deep characterisation, thrilling plot, and sharp...