Awards Season, Reviews / 27.12.2021

Absolute power corrupts absolutely and there are few texts in literary history that finer exemplify this statement than William Shakespeare's Macbeth. From Orson Welles and Roman Polanski to Geoffrey Wright and Justin Kurzel, Shakespeare's epic tale of ambition, fate, and witchcraft has seen its fair share of cinematic adaptations over the years. In 2021, we are gifted perhaps the finest interpretation yet. In his solo directorial debut, writer-director Joel Coen strips back Shakespeare's "Scottish play" to focus on the text's darker elements to create one of the most breathtaking...

Awards Season, Reviews / 25.12.2021

Every so often, a film comes along that appears to follow the same well-worn tropes of many films that preceded it, particularly those in the romantic comedy/drama genre with a lost twentysomething protagonist. The trials and tribulations of young adults bumbling their way through life is rarely the most original of narratives. Then something like The Worst Person in the World shatters all expectations and reaffirms your faith cinema can still subvert those clichés and deliver something entirely new and refreshing. Hilarious, heartbreaking, insightful, and sensitive, this film is...

Reviews / 22.12.2021

In 1999, The Wachowski's The Matrix was a genuine game-changer. It broke new ground with its stunning visuals and time-bending action sequences and captured the cultural zeitgeist like few other films in the pre-millennium era. Two disappointing sequels followed and the franchise has laid dead for over two decades. It's surprising a sequel has taken this long to get off the ground, particularly from a studio like Warner Bros. whose penchant for eliciting as much as it can from existing IP is only surpassed by the House of...

Awards Season, Reviews / 22.12.2021

A film that won ten Academy Awards (the outright second-highest tally in history) including Best Picture is hardly something you would think requires a remake. Remember how well that 2016 update of Ben-Hur went? To be fair, Steven Spielberg's take on West Side Story is officially an adaptation of Jerome Robbins' 1957 stage musical and not a reimagining of Robert Wise and Robbins' 1961 Oscar-winning classic. Regardless, comparisons will inevitably be drawn. Lucky for us, Spielberg has crafted a gorgeous new interpretation that practically leaps off the screen....

Awards Season, Reviews / 19.12.2021

The films of writer-director Paul Thomas Anderson typically feature a dark streak bubbling beneath the surface. From the seedy underbelly of the world of pornography in Boogie Nights to the twisted romance of Phantom Thread, Anderson is a filmmaker who isn't afraid of life's nastier elements. Perhaps given the miserable events of the last two years, Anderson has decided to take a refreshingly different route with Licorice Pizza; a film so effervescently joyous that it will likely leave you floating out of the cinema. A wistfully nostalgic portrait of Los...

Reviews / 15.12.2021

It's not every day a press screening includes surrendering one's phone before entering a cinema featuring security guards in night vision goggles and a title card and preshow video from the cast begging viewers to avoid revealing spoilers to the general public. Then again, it's not every day a film like Spider-Man: No Way Home comes along where revealing the colour of a character's socks could be seen as a spoiler in some circles. With a level of hype unrivalled in 2021 and a hefty bag of secrets no...

Awards Season, Reviews / 10.12.2021

The days of millions of Americans tuning in to watch the same episode of television at the same time are long gone. But, once upon a time in the 1950s, one woman had the ability to draw a television crowd like no one else in the business. After a languid movie career where she became known as "Queen of the Bs" for her affinity for B-movie roles, Lucille Ball finally found her footing in TV as the star of her own wildly successful sitcom, I Love Lucy. It's...

Awards Season, Reviews / 25.11.2021

It's not often I find a film that leaves me truly speechless. Then again, it's not every day a film like Julia Ducournau's staggeringly audacious Titane comes along. It may be the most utterly insane film I've seen all year and I sincerely mean that as a compliment of the highest order. Provocative and unnerving but also strangely tender and beautiful, Titane is truly unlike anything else you will see in 2021. Ducournau's unwavering confidence radiates in every single frame of this boldly original body horror tale that's as...

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