Awards Season, Reviews / 21.12.2020

One of the biggest tragedies of all the cinematic casualties of 2020 is the difficult fact Soul will stand as the first Pixar film to not receive a theatrical release. As will undoubtedly be the case for many of you, Soul will sadly be the first Pixar release this film critic does not see inside a cinema. The bitter disappointment is only compounded by the realisation this film is easily their most visually ambitious and experimental to date and deserved to be seen on the big screen. But this...

Awards Season, Reviews / 18.12.2020

In the gloomy days following the tragic, unexpected death of Chadwick Boseman in late August, there was one ray of light that gave the world some comfort; Boseman would still grace our screens in one final film. That performance has finally arrived. And what a tremendous swan song it proves to be. As a cocky, hotshot trumpet player with a heavy chip on his shoulder, Boseman's last performance will indeed stand as his greatest. A dazzling showcase for two powerhouse performances from Boseman and a typically commanding Viola Davis,...

Awards Season, Reviews / 16.12.2020

Every year, we film critics hope to find those rare movies that deservedly earn the title of "masterpiece." It's a term many seem to throw around quite liberally these days, but it's a word this particularly film critic has always reserved for the absolute cream of the crop. In 2020, it's a pleasure to bestow this special title to writer/director Lee Isaac Chung's Minari; a film that completely took my breath away, leaving it quite difficult to surmise the right words to describe the beauty of Chung's treasure. Every...

Awards Season, Reviews / 15.12.2020

From Regina King and Natalie Erika James to Radha Blank and Autumn de Wilde, one of the few redeeming qualities of 2020 has been the confident directorial debuts of numerous female filmmakers. In a year of such darkness, their stellar work has been a bright light of hope for the future of the film industry. As 2020 finally draws to a close, it's time to add another name to that list. And she has delivered one of the year's most deliciously enjoyable treats. Provocative, stylish, and sardonically dark, Promising...

Awards Season, Reviews / 10.12.2020

When an actor creates an iconic and award-winning television character, their persona on the small screen inevitably becomes intrinsically linked to the performer themself. It's why we often see television actors seek wildly different film roles to the one they play on a weekly basis. Such is the case with the luminous Rachel Brosnahan, who has been dazzling television viewers for the past three years with her Emmy-winning performance on The Marvelous Mrs. Maisel. Effortlessly making the transition from breakout television star to big-screen leading lady and shattering her...

Awards Season, Reviews / 10.12.2020

Last year, it was Brad Pitt in Ad Astra. One year earlier, it was Ryan Gosling in First Man. And who could forget Matt Damon in 2015's The Martian and Matthew McConaughey in 2014's Interstellar? In 2020, it's George Clooney. Yes, we've finally reached the year's obligatory "sad man in space" movie. Alright, so Clooney actually remains completely earthbound in The Midnight Sky, but it's a space-themed film with a huge A-list star playing a miserable astronomer, so Clooney's latest directorial effort joins this club as an honorary...

Awards Season, Reviews / 03.12.2020

In a curious twist of fate, 2020 finds itself with not one, not two, but three films centred on the debilitating effects of dementia. In July, Natalie Erika James' Relic painted a terrifying portrait of the disease unlike any seen before. In December, Florian Zeller's The Father will take your breath away with its unique depiction of an aging mind in total collapse. Thankfully, the third film is somewhat more reserved, yet still equally as powerful. With his sophomore feature film, Supernova, writer/director Harry Macqueen takes a refreshingly restrained...

Awards Season, Reviews / 02.12.2020

We're drawing closer to the end of a year we'd all rather forget, and what better way to say farewell to the flaming garbage pile that was 2020 than with a big, glitzy dose of Broadway musical magic. Alright, so that's not going to be everyone's answer to brightening up such a dark period of history, but, for those who love their musicals loud, proud, and extra-extravagant, The Prom is everything you need right now. Unapologetically campy and infectiously joyous, The Prom wears its enormous heart on its sleeve...

Awards Season, Reviews / 27.11.2020

Fresh off an Oscar win in 2018 for If Beale Street Could Talk and her recent Emmy win for Watchmen, the legend that is Regina King wraps up 2020 by proving there's seemingly nothing she can't do. Taking a seat behind the camera for her auspicious feature directorial debut, One Night in Miami, King delivers a remarkable piece of cinema that's equal parts enlightening and entertaining. And, just quietly, it's one of the finest films you'll see all year. Crafted with an assured confidence well beyond her directorial experience...

Awards Season, Reviews / 20.11.2020

In the six long years since his last feature film, Gone Girl, modern-day auteur filmmaker David Fincher has been more intently focusing on the medium of television than the big screen. Fincher helped produce and direct Netflix's masterful serial killer drama Mindhunter (which is now infuriatingly on indefinite hiatus) and dabbled in animation with Deadpool director Tim Miller on the cyberpunk anthology series Love Death + Robots. In an ironic twist of fate, it's highly likely his latest film will be seen by more people on a television...