Featured, Reviews / 03.03.2020

By virtue of unfortunate comparison to Pixar's impeccable back catalogue of masterpieces, every new film from the studio faces a dauntingly high bar to clear. Last year, Toy Story 4 somehow managed to defy all expectations and walk off with the Academy Award for Best Animated Feature in the process. Sadly, Pixar's first of two films this year can't quite meet the dazzling pedigree of many of its contemporaries. While it's naturally wonderful to see Pixar return to fully original storytelling for the first time in three years, the...

Featured, Reviews / 25.02.2020

In an era of remakes that do little more than slap a new coat of paint on a well-known story, you approach something like a reimagining of The Invisible Man with immense trepidation. Thankfully, this is one remodel that deftly proves its necessity. By flipping the narrative focus away from its titular character, writer/director Leigh Whannell offers a fresh take on H. G. Wells' 1897 novel that's as thrilling and terrifying as it is shrewdly relevant. With yet another impressive performance by Elisabeth Moss at its helm, The Invisible...

Awards Season, Featured, Opinion / 10.02.2020

Around this time each year, The Jam Report generally releases an Oscars recap, under the guise of "the good, the bad, and the ugly" of this year's awards. While there were a few confounding moments (I'm still attempting to determine what exactly Eminem was doing there), it's impossible to craft this piece on a ceremony which ended in such spectacular fashion. If anything truly bad or ugly happened this year, none of it really matters anymore. Bong Joon-Ho won Best Director. Parasite won Best Picture. And an embarrassing 92-year...