The one that laid the foundation for a revolution. Since the late 1980s, the advent of computer animation had slowly changed the production methods of Disney's animated feature films. As films like The Little Mermaid and Beauty and the Beast dabbled with utilising the Computer Animation Production System (CAPS) to craft selected sequences, it wasn't long before entire films were being created using computer technology, blending both digital creations with hand-drawn designs. But these films were still inherently rooted in the classic traditional Disney animation style, which had seen varied...

The one that finally fulfilled Walt's dream. After changing the landscape of cinema in 1937 with the first feature-length animated film, Snow White and the Seven Dwarfs, Walt Disney set about crafting the most ambitious work of his career. With 1940's Fantasia, Walt fused animation with classical music to create one of the most daringly unique feature films cinema had ever seen. Unfortunately, the entire experiment was a total financial disaster. Walt insisted Fantasia could only be shown using a new process called Fantasound, which required the installation of new...

The one that brought the Renaissance to a close. As the 1990s drew to an end and the new millennium approached, Disney was still struggling to match the soaring successes of its animated films from the dawn of the decade. While none of these films had necessary "flopped," the public's interest in traditional hand-drawn animated feature films was clearly beginning to fade. As a studio with a seven-decade-long legacy of this style of animation, it was an art form Disney simply couldn't walk away from, even as the death...

The one that broke new ground. As the 1990s wore on, Disney was desperately attempting to turn the tide on the continual box office decline of its animated features. After the major success of films like The Lion King, Aladdin, and Beauty and the Beast, each proceeding film had failed to beat or even match the box office results of its predecessor. With their compatriots at Pixar breaking new ground with 3D computer animation, the days of traditional animation were beginning to look numbered. But Disney wasn't ready to throw...

The one that put the glad in gladiator. After tackling some heavy topics in Pocahontas and The Hunchback of Notre Dame with animation that reached for the prospect of high art and Academy Awards glory, Disney seemingly abandoned both concepts with the next animated feature in their pipeline. A concept that had been floating around the studio for years, Hercules was seen as the next great commercial hope, with its comedy-heavy screenplay and merchandise-friendly characters. In the end, the film would continue Disney's decline at the box office and...

The one that took a huge risk. After a string of unprecedented successes in the late 1980s and early 1990s, the animation department of Walt Disney Pictures were beginning to feel more confident with taking chances on projects they likely would have fled from just ten years earlier. After the cataclysmic disaster of the jarringly dark The Black Cauldron, no one within the studio's walls would dare suggest anything that didn't fit the cheerful fairy tale mould of films like The Little Mermaid and Beauty and the Beast. But as...

The one that twisted history too far. Despite one unfortunate hiccup along the way, in the early 1990s, Disney's animation department were experiencing a hot streak of critically acclaimed and publicly adored films not seen since the days of Walt Disney himself. With each new animated release, the box office results only grew bigger, shattering the very records set by the preceding film. The merchandise was flying off the shelves. VHS sales were booming. Theme park attendance was up. Disney was everywhere you looked. The house of mouse was...

The one that ruled them all. After the tremendous critical and commercial successes of The Little Mermaid, Beauty and the Beast, and Aladdin, both critics and audiences were awaiting Disney's next move with bated breath. In the pipeline were two wildly different animated projects currently in production; The Lion King, a coming-of-age tale centred on a young lion cub, and Pocahontas, a sweeping romance based of the life of a Native American icon. Studio executives and animators were enormously excited by one of these projects, with predictions it would be...

The one that took us to a whole new world. After the roaring success of The Little Mermaid and the growing buzz surrounding the production of Beauty and the Beast, confidence within the Disney animation studio was the highest it had been in decades. Many assumed the plan set by Disney executive Jeffrey Katzenberg to release a brand new animated feature every single year was doomed to fail. While The Rescuers Down Under was an unfortunate bump in the road, Katzenberg seemed assured the animation department was finally on...

The one that made history. In 1990, the dawn of a new decade also marked the advent of a new age of Disney animation. After the staggering critical and commercial success of The Little Mermaid and the groundbreaking technical achievements of The Rescuers Down Under, the studio began to feel like the days when Walt Disney roamed the halls. After facing an uncertain future throughout the 1980s, the animation team were preparing to unleash one of their finest achievements. And it would be a film that would break records...

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