Awards Season, Reviews / 29.09.2020

For better or worse, Julie Taymor is a stage director willing to take tremendous risks that either pay off handsomely (her Tony Award-winning work on The Lion King) or fall flat on their face (the unmitigated nightmare that was Spider-Man: Turn Off the Dark). With her background in spectacle-infused theatre, Taymor has a knack for crafting visuals that don't always translate to the screen in her divisive dalliances with filmmaking. Thankfully, Taymor only occasionally digs into her bag of stylistic tricks with her celebration of one of the most...

Reviews / 04.09.2020

When Steve McQueen's 12 Years a Slave won Best Picture back in 2013, it should have signalled the end of films centred on slave narratives, or, at the very least, a change in direction for future projects. What McQueen delivered can never be matched. If there are still stories to be told of the pre-abolition era, they should be something we've never seen before. It's what made Jordan Peele's Get Out so refreshingly remarkable. It cleverly used slavery as the basis for a modern narrative that still tapped...