Awards Season, Reviews / 26.01.2021

Back in 2018, Los Angeles Times freelance film critic Katie Walsh described writer/director Sam Levinson's Asssassination Nation as "a badly bungled attempt at social commentary." It's wildly ironic that very review forms part of the inspiration for Levinson's pretentiously smug Malcolm & Marie; an equally badly bungled attempt at social commentary. Filmed in the grips of coronavirus restrictions, it's an experimental film that ultimately feels like a film school project crafted one weekend by an overly-ambitious filmmaker and his two acting school buddies. This kind of restricted filmmaking is...

Awards Season, Reviews / 22.08.2020

There are few directors who love to craft a good mindfuck quite like Christopher Nolan. Whether it's the multiple timelines of Dunkirk, the interdimensional wormholes of Interstellar, or practically every frame of Memento, Nolan has always had a knack for testing an audience's patience with cinematic confusion that consistently flirts on frustration. After numerous coronavirus-induced delays and a staggered worldwide release schedule that's rather brutal for anyone outside of Australia, Nolan's latest epic is finally here, and it's every bit as baffling as you're expecting. After the cinema closures...