Reviews / 20.06.2019

"It's a family film." That's how genius South Korean co-writer/director Bong Joon-ho introduced Parasite, his latest acerbic and satirical treasure that genuinely brought the house down at its Australian premiere at the Sydney Film Festival. After taking aim at classism, consumerism, and capitalism in his two previous films, Snowpiercer and Okja, Bong once against shoots straight at the heart of these achingly relevant themes. The result is nothing short of a cinematic masterpiece. While Parasite may not be surrounded by the lashings of metaphorical meanings from the sci-fi settings...

Reviews / 15.06.2019

In the life of a film critic, there will always be critically-acclaimed arthouse darlings you simply cannot connect with. These are the types of films you feel you're practically required to award five stars to, in order to prove your high standards. This Sydney Film Festival season, that film is High Life, a 110 minute-long test of patience you will either find completely fascinating or tediously dull. There's little grey area on this one. It's divisive arthouse cinema at its best and worst. Working in the English language for...

Reviews / 12.06.2019

Most of us long to finally get off our butts, lose some weight, and get healthy. But then the pizza delivery arrives and we go back to sitting on the couch, and those dreams evaporate, as you down your fourth slice while watching whatever the latest buzz-worthy show on Netflix. But what if we actually put on those barely-worn sneakers, stepped outside, and made a go at it? Herein lies the charming narrative of Brittany Runs a Marathon; a film you'll likely assume you've seen dozens of times before...

Reviews / 09.06.2019

Great Britain in the late 1980s. A country in the grip of economic chaos, racial tensions, and political unrest. And a time fashion clearly forgot. It's a setting and era cinema has covered extensively over the years. With an inviting narrative and a soundtrack filled with 80s pop and rock wonders, Blinded by the Light is a dizzying mix of schmaltzy clichés, glorious music, and predictable scenarios, in a film full of the greatest intentions. Standing as both a touching coming-of-age story and a glitzy jukebox musical, writer/director Gurinder Chadha...