Back in 2018, Los Angeles Times freelance film critic Katie Walsh described writer/director Sam Levinson's Asssassination Nation as "a badly bungled attempt at social commentary." It's wildly ironic that very review forms part of the inspiration for Levinson's pretentiously smug Malcolm & Marie; an equally badly bungled attempt at social commentary. Filmed in the grips of coronavirus restrictions, it's an experimental film that ultimately feels like a film school project crafted one weekend by an overly-ambitious filmmaker and his two acting school buddies. This kind of restricted filmmaking is...