When American filmmakers get their hands on the rights to remake an international feature film, we're generally served something that's little more than a carbon copy of its predecessor. If you've never seen the original, that's perfectly fine. But if you're familiar with what came before, it's the worst example of cinematic déjà vu. Such is the case with Antoine Fuqua's The Guilty, an almost beat for beat remake of Gustav Möller’s 2018 Danish film of the same name. For those terrified of subtitles and without any previous knowledge...