Reviews / 21.03.2020

One of the biggest film casualties of the Harvey Weinstein sexual assault scandal has been Alfonso Gomez-Rejon's The Current War; a lavish period biopic which was surely due to be Weinstein's great big Oscar hope of the 2017 season. After premiering at the 2017 Toronto International Film Festival to a tepid response, Gomez-Rejon was furiously re-editing the film so as to meet its November theatrical release date when the Weinstein story broke. When The Weinstein Company naturally collapsed and the film was pulled from release, Gomez-Rejon raised an additional...

Awards Season, Reviews / 10.12.2019

After dozens upon dozens of war films since the dawn of cinema, it seems directors now need to consistently find a new contrivance to land any impact in this genre. Working within a storytelling technique few filmmakers have dared to touch, co-writer/director Sam Mendes offers his war drama 1917 in one seemingly continuous take. It's a gimmick, to be sure, but it's one crafted in such meticulous and flawless fashion, creating one of the technically finest war epics there has ever been. An ambitiously daunting task on a scale...

Awards Season / 21.02.2015

Now before anyone starts calling me lazy for combining these two films into one post, let me explain. As I was writing the points for both The Imitation Game and The Theory of Everything, I realised that they had almost identical reasons for why they will and won't win Best Picture. It seemed redundant to repeat myself in a separate post for each, so here we are with a combined result. Two critically acclaimed British films starring four critically acclaimed British actors. Can the Academy Awards possibly resist? Why it could win...