Reviews / 27.03.2023

In recent years, it's been beyond pleasing to see queer cinema finally move away from the exhaustingly tiresome "Bury Your Gays" trope. Films like Bros, Fire Island, Happiest Season, and The Prom have proven gay love stories no longer need to drown in misery or have someone tragically die to make an impact. What a concept, huh? But a new sub-genre has emerged centred on the painfully familiar concept of "queer yearning" seen in films like Call Me by Your Name, Moonlight, and Carol. Australia adds its own inclusion to this emerging cinematic category with...

Reviews / 20.09.2022

Queer cinema has progressed in leaps and bounds in recent years. We've finally reached a point where there's a high bar that new films have to reach to be truly worthy of praise. That's both a blessing and a curse. On the one hand, it's pushing queer filmmakers to create daring new content we haven't seen before. On the other, it makes something like the tepid, dull, and tiresome gay melodrama My Policeman feel like something the LGBTQ+ cinematic landscape left behind eons ago. Perhaps we'd be falling over...

Reviews / 14.09.2022

A story about a gay man with commitment issues is hardly groundbreaking narrative fodder. Still, it is a damn near revelation when it's at the forefront of a theatrical release from a major studio. That's the history-making background of Bros, the first gay romantic comedy from a mainstream distributor to feature an almost-exclusively LGBTQ+ cast and starring and co-written by an openly gay man. Yes, it's taken a bloody long time to arrive at this point. Too long, in fact. Thankfully, the film is an absolute triumph. Hysterically amusing...

Reviews / 20.06.2022

Back in 1995, Amy Heckerling reimagined Jane Austen's Emma into one of the greatest teenage comedies of all time, Clueless. The film and Heckerling's quietly brilliant screenplay ultimately highlighted the timeless nature of Austen's writing and how her characters and narratives can be plonked into a modern setting and miraculously still work flawlessly. Taking a cue from Heckerling, stand-up comedian/actor Joel Kim Booster has taken Austen's Pride and Prejudice and deftly spun it into one of the best gay rom-coms of recent times. A gorgeous ode to the power of friendship and a...

Reviews / 17.05.2022

In a case of auspicious timing, a queer love story set in the days of the Soviet Union will arrive in Australian cinemas at a time when Russia faces global condemnation for its horrifying war on Ukraine. However, special one-night-only screenings of Peeter Rebane's Firebird are actually timed to coincide with International Day Against Homophobia, Biphobia and Transphobia on May 17. A sweeping epic that's somewhat damaged by its hokey screenplay, Firebird ultimately soars on the backs of its two leads whose intoxicating chemistry crafts a captivating gay romance...

Reviews / 02.09.2021

Almost three decades ago, one little Aussie film sought to put drag culture on the map. And it succeeded. The unassuming camp classic that is The Adventures of Priscilla: Queen of the Desert became a cultural phenomenon and the art of drag was celebrated on screen like never before. With the recent success of shows like RuPaul's Drag Race and Pose, drag culture has edged into the mainstream while still retaining its nonconformist sensibilities. Entering this new celebratory world of everything drag comes Everybody's Talking About Jamie, the glittery,...

Awards Season, Reviews / 27.09.2020

Earlier this year, we were given the rare treat of experiencing a moment in Broadway history in our living rooms with the Disney+ release of Lin Manuel Miranda's miraculous musical Hamilton. In many ways, Joe Mantello's The Boys in the Band seeks to offer something similar. While not a live stage recording of the Tony Award-winning 2018 Broadway revival of Mart Crowley's seminal 1968 play, Mantello reassembles the entire sublime ensemble cast of openly gay actors to reprise their stage roles and deliver this divisive work to a...

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