Writer/director Ryan Coogler has never been a director to play it safe, but Sinners is undoubtedly his most audacious an...
The high-concept techno-thriller Drop is a hugely entertaining little film that thrives on tension, taps into modern anx...
Death of a Unicorn is sadly one of those films that seems to promise more than it can deliver. On the surface, it’...
After three years of being the internet’s favourite punching bag, Disney’s live-action reimagining of Snow ...
A wordless cinematic journey from director Gints Zilbalodis that speaks through its breathtaking visuals, gorgeous story...
It's half-yearly report card time! Here's the best of cinema in 2017 so far....
Can this film really save the DCEU? Yes. Yes, it can....
Sensational popcorn cinema. You will leave the cinema richly satisfied, even if it isn't quite the film you're expecting....
This is popcorn cinema, at its absolute finest....
In today's franchise-obsessed film market, it's rare to see anyone walking away from a box-office cash cow, especially in the comicbook genre. But 17 years (and nine films) after he first extended the adamantium claws, and helped re-define the superhero genre, Hugh Jackman says farewell to Wolverine, aka the character who made him a household name. Thankfully, he saved the best for last, with the brilliant pseudo-western, Logan. Set in the dystopian future of 2029, mutant-kind is all but a distant memory, with no mutant births in 25 years. The...
Good lord. Where to even begin? In the 20-odd years I've been watching (and obsessing over) the Academy Awards, I can truly say we have never witnessed a moment quite like what we saw tonight. The shock of what transpired has still not worn off, and it probably won't for some time. But we'll get to that later. For now, let's look at the other Oscars moments that unfortunately no one will really be talking about for the next few days. THE GOOD Moonlight winning Best Picture, minus the stuff-up....
Well, the time has come. Oscar night is upon us. Many will call this one of the more boring Oscar seasons in recent history, and they have a point. When you have one frontrunner for Best Picture (and the majority of the other categories) all season, it's hardly exciting to watch and discuss. Maybe it's simply because the last few years have been such a rollercoaster, particularly the madness of last year's Spotlight/The Revenant/The Big Short showdown. But, as you'll see from my predictions below, it's hardly all locked...
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